John Uhlenhopp made his European debut at the Stadttheater Giessen in Germany, where he has performed Tamino in Mozart’s Zauberflöte, Pelléas in Debussy’s Pelléas et Mélisande, and Tom Rakewell in Stravinsky’s Rake’s Progress, among others. Recent highlights included Tristan in Wagner’s Tristan und Isolde for Teatro Regio Torino and for Bremer Oper; Eléazar in Halévy’s Juive for La Fenice; Samson in Saint-Saëns’ Samson et Dalila for Antikenfestspiele Trier; the title role in Stravinsky’s Oedipus Rex for Teatro dell’Opera di Roma and in Turin; the title role in Britten’s Peter Grimes in Augsburg; and the Prince in Prokofiev’s Love For Three Oranges, Boris in Janacek’s Katya Kabanova, and Canio in Leoncavallo’s Pagliacci for the Deutsche Oper am Rhein in Düsseldorf. At Seattle Opera, he has appeared as the Schoolmaster in Janacek’s Cunning Little Vixen, the First Noble in the 2004 production of Wagner’s Lohengrin, and Hoffmann in the 2005 production. He sings Canio in the 2008 production of Pagliacci. Future engagements include Sergei in Shostakovich's Lady Macbeth Of Mtsensk at Deutsche Oper am Rhein; Albert Gregor in Janacek's Makropulos Case for the National Theatre Prague; the Drum-major in Berg’s Wozzeck for the Stadttheater Bern; Tristan for the re-opening of the opera house in Wuppertal; and concert performances of Oedipus Rex with the Prague and Rome Symphony Orchestras.