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News & Announcements

The Magic Flute and Early Romanticism

Mozart’s Magic Flute may be a “timeless masterpiece,” an “immortal classic” full of music that will last forever. It’s also very specifically a child of 1791. Everything about this opera—its plot, characters, world, range of musical styles, and themes—makes much more sense when considered in its historical context. Musically, The Magic Flute is hugely significant as the first great Zauberoper, the German tradition of popular musical theater on fantasy subjects that eventually gives us such operas as Wagner’s Ring...
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Dan Wallace Miller directs The Combat

Not everyone can call themselves a homegrown Seattle Opera artist. But for Stage Director Dan Wallace Miller, the roots of his artistry go deep in the Wagnerian tradition of Seattle Opera. For Miller, the seed of directing was planted at age 4 by opera-loving parents during his first Ring cycle. Later, it was cultivated by legendary Seattle Opera director/singer Peter Kazaras, who became Miller's mentor and teacher...
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The Combat: Exploring Monteverdi with Stephen Stubbs

Famed early music maestro Stephen Stubbs discussed the origins of opera, Monteverdi and the music of our new chamber opera pasticcio, The Combat, with me (Seattle Opera Dramaturg Jonathan Dean). Performances of The Combat run April 1-9 at Seattle Opera Studios in South Lake Union—the old warehouse we’re leaving once Seattle Opera At The Center is ready next year...
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Aidan Lang introduces Katya Kabanova

"A feverishly powerful emotional experience." - The Seattle Times...
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A Cinematic Night at the Opera

While everyone else was watching the Oscars on TV, I was sitting on my couch dreamily remembering the most cinematic opera I have ever seen in my life. Seattle Opera’s visually stunning production of Janacek’s 1921 Katya Kabanova is, by turns, as color-drenched as a Douglas Sirk and as black-and-white stark as the graveyard scene David Lean’s David Copperfield...
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Main Photo © Elise Bakketun